- Colours change when they are placed with other colours; red will look different next to blue compared to red next to yellow
- Tertiary colours sit between secondary and primary colours
- Primary hue talks about pigment
- Johannes Itten identified the primary colours; you can't mix them from any other colours, they are RAW
- Josef Albers; 'All colour is contextual'
- Making something darker or lighter is the art of desaturating
- Saturation links to luminance
- Additive colour; light, RGM primaries; CRT monitors
- Subtractive colour; Ink, CMY
- The stages of how we perceive colour; Physical..Physiological..Psychological
- Chromatic values are not consistent
- The eye can be fooled by colour
- Cool and warm tones to represent colour
Wednesday, 13 December 2017
COP Lecture 5 Notes; Colour Theory
Tuesday, 5 December 2017
Essay 1 Feedback
Today we had a whole group COP session instead of in our separate groups, this was so that Simon was able to tell us how to submit our essays/essay on the 12th of December. I used this time to also ask Simon for feedback on my first essay, in terms of things to talk about, elaborate on, remove from the essay, if I have referenced right etc. This is some of the feedback I received, I found that talking to Simon and receiving feedback from him was extremely useful as it gives me enough time to improve my essay and make a start on my second essay.
Tuesday, 28 November 2017
Study Task 6: Essay Structure
For the second essay, I have used an essay structure which has been provided by Simon. I chose to use the second essay structure as it made more sense to me than the first, in terms of starting with the intro, then linking each paragraph together in the body of the essay through to a conclusion.
The essay structure that I used:
print making definition and how it relates to graphic design
briefly answer the question; 'Why are handmade techniques still embraced within graphic print practices?'
little bit of background information, when and why it was first used
Body:
The essay structure that I used:
Intro:
- Talk about the most popular handmade techniques that are still used within graphic design practices; lithography, letterpress and screen print
- Go into depth about how and why these techniques are still used and why they could possibly stop being used?
- Issues with handmade/manual print compared to automatic/digital print methods
- Mention how print was first used compared to how its used now in graphic design
- link all the paragraphs together
- what are other artists opinions? talk about at least one author
Conclusion:
- Summarise all the points that I have already made about the 3 techniques as well as the other points made about graphic design print
- Talk about how handmade print could change and develop in the future; will these techniques still be used? why/would they stop being used?
Wednesday, 15 November 2017
COP Lecture; Modernism and Postmodernism
Throughout the lecture, I gathered some notes of points that I found interesting and will research further into;
-The industrial revolution
-modernity is categorised by: industrialisation, mass manufacture, concentrated populations, development of trade and capitalism, colonisation, role of science and technology, urbanisation, secularisation, mass media, division of labour, mass consumption
-the impact of the industrial revolution, development of scientific thought etc
-“...modernity is the transient, the fleeting, the contingent...” (Baudelaire, 1859)
-cubism: early 20th century, beginnings of modernism pairing; Picasso
-futurism: lead by a manifesto; umberto boccioni
-pre-modern commercial art: the use of images to promote commercial sales, the start of graphic design?? Jules cheret 1892
-the Swiss style (high” modernist)
-the Bauhaus (Walter Gropius, 1919, an example of modernist architecture)
-Modern art: moving towards abstraction, new subject matter, expression
-Modern design: functionality, rationality, universally
-The end of modernism; eventually, many thinkers, artists, makers became cynical to the universalising claims of modernism. Thought it didn’t offer opportunities
-postmodernity: 1970; globalisation, the digital age, industrialisation became commercialisation
-conceptual art: Duchamp- the fountain, 1917, art is an idea!
-postmodern graphic design: April greiman, wolfgang weingart
-postmodern architecture: Frank Gehry
-cultural diversity
-The industrial revolution
-modernity is categorised by: industrialisation, mass manufacture, concentrated populations, development of trade and capitalism, colonisation, role of science and technology, urbanisation, secularisation, mass media, division of labour, mass consumption
-the impact of the industrial revolution, development of scientific thought etc
-“...modernity is the transient, the fleeting, the contingent...” (Baudelaire, 1859)
-cubism: early 20th century, beginnings of modernism pairing; Picasso
-futurism: lead by a manifesto; umberto boccioni
-pre-modern commercial art: the use of images to promote commercial sales, the start of graphic design?? Jules cheret 1892
-the Swiss style (high” modernist)
-the Bauhaus (Walter Gropius, 1919, an example of modernist architecture)
-Modern art: moving towards abstraction, new subject matter, expression
-Modern design: functionality, rationality, universally
-The end of modernism; eventually, many thinkers, artists, makers became cynical to the universalising claims of modernism. Thought it didn’t offer opportunities
-postmodernity: 1970; globalisation, the digital age, industrialisation became commercialisation
-conceptual art: Duchamp- the fountain, 1917, art is an idea!
-postmodern graphic design: April greiman, wolfgang weingart
-postmodern architecture: Frank Gehry
-cultural diversity
Tuesday, 14 November 2017
Study Task 5:Essay draft feedback
I have begun to write my first draft of the first essay on my chosen topic; Printmaking. I have written about 1/3rd so far and will continue throughout the week. I got one of my peers to read through my essay in order to gain some feedback.
The essay draft so far:
Context of Practice: Print making essay 1
Throughout this essay, I will briefly attempt to talk about the history of print making. In terms of how it started off, the early methods and what it was first used for; political, social and historical uses. I will do this by researching through sources which include books, websites, and articles.
The art of print making originates from China over 2000 years ago. At that time, it was used for political, social and historical ideas, it is now a form of art. “Since the 14th Century, multi-colour printing was done. Printmaking came to a new prime during the Ming Period (1368 - 1644). A pioneer of printing with colours, especially gradations, and embossing was the official and artist Hu Cheng Yen (1582 - 1672)” Chinese woodblock making- http://www.druckstelle.info/en/holzschnitt_china.aspx, 2017.
Printing making first started out as ink rubbings made on paper or cloth from texts on stone tables in China. “The emperor of China commands, in AD 175, that the six main classics of Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has zan unexpected result” History of printing, Engraved texts: 2nd - 8th century AD - http://www.historyworld.net/wrldhis/PlainTextHistories.asp?historyid=ab78
As time went of, it then quickly spread to other countries around Asia. However, the Chinese used only clay and wood movable type at first, but by the 13th century, Korea developed print making to be used in metal. The Western-style of printing travelled to East Asia by the 16th century but was properly used until many centuries later.
Print making first started to come into light in the late fifteenth to the mid-eighteenth century in Italy; at this time, Italy had a huge thorough history in the production of valuable and impressive print makers of international repute. “European countries valued the art of Italy above all others” Italian Prints 1875-1975- Martin Hopkinson,2007.
An example of an extremely popular and contemporary print making technique that is enjoyed today is collagraph printing. Collagraph prints are made by printing from a plate constructed on either mount board or very thin plywood. The texture is built up like a collage (hence the name collagraph) using a variety of mediums and then the plate is inked and printed using a roller press. There are many different ways of creating collagraph prints; intaglio- the plate can be printed below the surface with the ink in the lower parts of the plate, by rubbing over it, relief- the ink sitting on the higher parts of the plate and combination- using different tones or colours.
The essay draft so far:
Context of Practice: Print making essay 1
Throughout this essay, I will briefly attempt to talk about the history of print making. In terms of how it started off, the early methods and what it was first used for; political, social and historical uses. I will do this by researching through sources which include books, websites, and articles.
The art of print making originates from China over 2000 years ago. At that time, it was used for political, social and historical ideas, it is now a form of art. “Since the 14th Century, multi-colour printing was done. Printmaking came to a new prime during the Ming Period (1368 - 1644). A pioneer of printing with colours, especially gradations, and embossing was the official and artist Hu Cheng Yen (1582 - 1672)” Chinese woodblock making- http://www.druckstelle.info/en/holzschnitt_china.aspx, 2017.
Printing making first started out as ink rubbings made on paper or cloth from texts on stone tables in China. “The emperor of China commands, in AD 175, that the six main classics of Confucianism be carved in stone. His purpose is to preserve them for posterity in what is held to be authentic version of the text. But his enterprise has zan unexpected result” History of printing, Engraved texts: 2nd - 8th century AD - http://www.historyworld.net/wrldhis/PlainTextHistories.asp?historyid=ab78
As time went of, it then quickly spread to other countries around Asia. However, the Chinese used only clay and wood movable type at first, but by the 13th century, Korea developed print making to be used in metal. The Western-style of printing travelled to East Asia by the 16th century but was properly used until many centuries later.
Print making first started to come into light in the late fifteenth to the mid-eighteenth century in Italy; at this time, Italy had a huge thorough history in the production of valuable and impressive print makers of international repute. “European countries valued the art of Italy above all others” Italian Prints 1875-1975- Martin Hopkinson,2007.
An example of an extremely popular and contemporary print making technique that is enjoyed today is collagraph printing. Collagraph prints are made by printing from a plate constructed on either mount board or very thin plywood. The texture is built up like a collage (hence the name collagraph) using a variety of mediums and then the plate is inked and printed using a roller press. There are many different ways of creating collagraph prints; intaglio- the plate can be printed below the surface with the ink in the lower parts of the plate, by rubbing over it, relief- the ink sitting on the higher parts of the plate and combination- using different tones or colours.
The feedback that I received:
-Title; name it e.g. The History of Printmaking
-Bibliography; Just need to collect all your sources at the end
-Images; already included, add a figure no. so you can relate to it in the text
-In text citations; good use of quotes to help guide you through the essay. Make sure you keep these when you create the bibliography
-The journey through the essay flows well, maybe make a reference to the Guttenberg Bible when talking about moveable type
-The description of collagraph starts good but feels like too much of a 'how-to', explain when it would be used and why it would be used instead maybe?
-Good references to research
-Maybe focus on a specific technique you want to try in the practical work?
Monday, 13 November 2017
Sunday, 5 November 2017
Study Task 3: Harvard Referencing and Triangulation
Wednesday, 1 November 2017
Study Task 2(b): Finding research sources
The topic that I have chosen to write my two essays on is Printmaking. In order to start the essay, I have begun to gather appropriate research from a range of different sources that could be used.
Search terms/key words: Print making, modern, graphic, history, techniques, material, best artist/methods
LCA Library
1: Print-making: a complete guide to materials and processes. - Fick, Bill & Grabowski, Beth (2009)
2: Print making techniques - 1982
3: Block cutting and print making by hand: from wood, linoleum and other media. / Dobson, Margaret
Google Books (preview)
1: Three decades of American print making -
https://books.google.co.uk/books?id=UTOvAvcUyQ4C&pg=PA49&dq=best+printmaking+artists&hl=en&sa=X&redir_esc=y#v=onepage&q=best%20printmaking%20artists&f=false
2: Instillations and experimental print making - https://books.google.co.uk/books?id=4Mm_Qiww6w4C&printsec=frontcover&dq=printmaking+artists&hl=en&sa=X&redir_esc=y#v=onepage&q=printmaking%20artists&f=false
3: Modern Printmaking: A Guide to Traditional and Digital Techniques - https://books.google.co.uk/books?id=r1iwBgAAQBAJ&printsec=frontcover&dq=digital+printmaking&hl=en&sa=X&redir_esc=y#v=onepage&q=digital%20printmaking&f=false
Google Scholar
1: Prints and Printmaking: An Introduction to the History and Techniques – Antony Griffiths 1996
2: Print making methods, old and new - Peterdi, Gabor 1959
3: Print making, a contemporary perspective – Paul Coldwell 2010
Websites
1: https://www.britannica.com/art/printmaking/History-of-printmaking - History of print making
2: http://www.vam.ac.uk/content/articles/p/prints-21st-century/ - Print making in the 21st century
3: https://www.artsy.net/article/editorial-nine-types-of-printmaking-you-need-to - 9 Types of print making
JStor
1: Print making and theory- Carl Goldstein 2008
2: The Attraction of Print: Notes on the Surface of the (Art) Print-
Ruth Pelzer-Montada 2008
3: The Art of Creative Printmaking- Michael F. Andrews 1964
Search terms/key words: Print making, modern, graphic, history, techniques, material, best artist/methods
LCA Library
1: Print-making: a complete guide to materials and processes. - Fick, Bill & Grabowski, Beth (2009)
2: Print making techniques - 1982
3: Block cutting and print making by hand: from wood, linoleum and other media. / Dobson, Margaret
Google Books (preview)
1: Three decades of American print making -
https://books.google.co.uk/books?id=UTOvAvcUyQ4C&pg=PA49&dq=best+printmaking+artists&hl=en&sa=X&redir_esc=y#v=onepage&q=best%20printmaking%20artists&f=false
2: Instillations and experimental print making - https://books.google.co.uk/books?id=4Mm_Qiww6w4C&printsec=frontcover&dq=printmaking+artists&hl=en&sa=X&redir_esc=y#v=onepage&q=printmaking%20artists&f=false
3: Modern Printmaking: A Guide to Traditional and Digital Techniques - https://books.google.co.uk/books?id=r1iwBgAAQBAJ&printsec=frontcover&dq=digital+printmaking&hl=en&sa=X&redir_esc=y#v=onepage&q=digital%20printmaking&f=false
Google Scholar
1: Prints and Printmaking: An Introduction to the History and Techniques – Antony Griffiths 1996
2: Print making methods, old and new - Peterdi, Gabor 1959
3: Print making, a contemporary perspective – Paul Coldwell 2010
Websites
1: https://www.britannica.com/art/printmaking/History-of-printmaking - History of print making
2: http://www.vam.ac.uk/content/articles/p/prints-21st-century/ - Print making in the 21st century
3: https://www.artsy.net/article/editorial-nine-types-of-printmaking-you-need-to - 9 Types of print making
JStor
1: Print making and theory- Carl Goldstein 2008
2: The Attraction of Print: Notes on the Surface of the (Art) Print-
Ruth Pelzer-Montada 2008
3: The Art of Creative Printmaking- Michael F. Andrews 1964
Wednesday, 4 October 2017
Study Task 1:Exploring the themes
Typography and type design
Image 1: Type-led campaign for Madrid’s Pride celebrations; I love this design as it is extremely funky and works well with the colour element, the colour choices clearly reflect the theme of pride. It also works well as a typographic piece as it is decorative and still legible as a billboard poster.
Image 2: Michael Bierut designs for new brand identity for Poetry Foundation; work well as the more vintage style type faces reflect the topic of poetry well. Bold and legible.
Advertising and public awareness
Image 1: London Design Festival 2017 advertised; the fact that it is a neon sign makes it stand out and catch eyes instantly rather than a banner. Also clean and crisp.
Image 2: I think this is a good way as advertising as it is telling the public disturbing facts but displayed through creative illustrations. Also people may find the facts humorous.
Branding and logo design
Image 1: I love this design as it shows 3 animals combined into one using line drawing, it is clear to see that it is a logo for a zoo; communicates well. The 3 colours also work well together and don’t clash.
Image 2: Logo for a café. Simple but fun design at the same time, the bear with the cup shows that warm drinks are sold, also gives off a warm and relaxed feel for customers.
Editorial Design
Image 1: Magazine designs by Why not Associates; I love the collages and combination of images with abstract shapes. Makes the pages busy but doesn’t distract.
Image 2: The designers put an emphasis on strong aesthetics, the simplicity works well and the negative space idea, stands out to me a lot more than if it were just a page with text and image.
Design for screen
Image 1: Main home page for Hattie Stewarts webpage; You can clearly see her aesthetic and style of working as soon as you look at the home page, layout is extremely well presented and funky which reflects her work.
Image 2: App designs for crave app. The illustrations communicate well and the type face works well with them. More exciting than a typical food app.
Print making
Image 1: I love this piece of print work because of the messiness and old fashioned print look of it, the layering and colour palette work extremely well.
Image 2: Angie Lewin; colour palette works well and her style of print is extremely clean and crisp. Also love the abstractness and shapes within the plants.
Image 1: Type-led campaign for Madrid’s Pride celebrations; I love this design as it is extremely funky and works well with the colour element, the colour choices clearly reflect the theme of pride. It also works well as a typographic piece as it is decorative and still legible as a billboard poster.
Image 2: Michael Bierut designs for new brand identity for Poetry Foundation; work well as the more vintage style type faces reflect the topic of poetry well. Bold and legible.
Advertising and public awareness
Image 1: London Design Festival 2017 advertised; the fact that it is a neon sign makes it stand out and catch eyes instantly rather than a banner. Also clean and crisp.
Image 2: I think this is a good way as advertising as it is telling the public disturbing facts but displayed through creative illustrations. Also people may find the facts humorous.
Branding and logo design
Image 1: I love this design as it shows 3 animals combined into one using line drawing, it is clear to see that it is a logo for a zoo; communicates well. The 3 colours also work well together and don’t clash.
Image 2: Logo for a café. Simple but fun design at the same time, the bear with the cup shows that warm drinks are sold, also gives off a warm and relaxed feel for customers.
Editorial Design
Image 1: Magazine designs by Why not Associates; I love the collages and combination of images with abstract shapes. Makes the pages busy but doesn’t distract.
Image 2: The designers put an emphasis on strong aesthetics, the simplicity works well and the negative space idea, stands out to me a lot more than if it were just a page with text and image.
Design for screen
Image 1: Main home page for Hattie Stewarts webpage; You can clearly see her aesthetic and style of working as soon as you look at the home page, layout is extremely well presented and funky which reflects her work.
Image 2: App designs for crave app. The illustrations communicate well and the type face works well with them. More exciting than a typical food app.
Print making
Image 1: I love this piece of print work because of the messiness and old fashioned print look of it, the layering and colour palette work extremely well.
Image 2: Angie Lewin; colour palette works well and her style of print is extremely clean and crisp. Also love the abstractness and shapes within the plants.
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